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Clifton Williams (1923-1976) was born in Arkansas and attended high school in Little Rock, where he became an accomplished french horn player. He studied composition at Lousiana State University and the Eastman School of Music. He taught composition for 17 years at the University of Texas at Austin before becoming chair of the composition and theory department at the University of Miami in 1966.  He held this post until his untimely death.  His first compositions were written for orchestra.  His career as a wind band composer took off in 1956 when Fanfare and Allegro, his first composition for band, won the inaugural Ostwald Award given by the American Bandmasters’ Association.  His Symphonic Suite won him the award again the following year.  He went on to write over 3 dozen works for band, many of which are considered essential repertoire.

No one describes Symphonic Dance no. 3: Fiesta better or more succinctly than the Foothill Symphonic Winds:

Fiesta was originally one of Clifton Williams’ five Symphonic Dances, commissioned by the San Antonio Symphony Orchestra to celebrate their 25th anniversary in 1964. In the original suite, each of the five dances represented the spirit of a different time and place relative to the background of San Antonio, Texas. Fiesta is an evocation of the excitement and color of the city’s numerous Mexican celebrations. The modal characteristics, rhythms, and finely woven melodies depict what Williams called “the pageantry of Latin-American celebration – street bands, bull fights, bright costumes, the colorful legacy of a proud people.” The introduction features a brass fanfare that generates a dark, yet majestic atmosphere that is filled with the tension of the upcoming events. The soft tolling of bells herald an approaching festival with syncopated dance rhythms. Solo trumpet phrases and light flirtatious woodwind parts provide a side interest as the festival grows in force as it approaches the arena. The brass herald the arrival of the matador to the bullring and the ultimate, solemn moment of truth. The finale provides a joyous climax to the festivities.

Fiesta will be the sole piece played by the Columbia Festival Band , which will open the 4th annual Columbia Festival of Winds on 3/4/2012.  Dr. Christian Wilhjelm of the Ridgewood Concert Band will conduct this band, which will be made up of members from each of the bands participating in the Festival.  We also played it in Columbia Wind Ensemble in 2003.

Since I won’t be conducting it this time around and don’t know exactly how Dr. Wilhjelm will like it, here are several version of Fiesta for your listening (and hopefully practicing!) pleasure:

First, a studio recording by an anonymous band:

A live performance by a Japanese high school band:

Finally, here’s a slightly different live interpretation by a Texas honor band:

Clifton Williams bio at Wikipedia.

Clifton Williams on the Ostwald Award site.

Clifton Williams at the Wind Repertory Project.

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One Comment

  1. Does anyone knows what dances r in this piece. It sound like waltz and some kind of tango


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  1. [...] Columbia Festival Band played Clifton Williams’s Symphonic Dance no. 3, Fiesta, under the direction of Dr. Christian [...]

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