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Monthly Archives: March 2011

From Mychael Danna’s website:

Mychael Danna is recognized as one of the most versatile and original voices in film music. This reputation has led him to work with such acclaimed directors as Ash Brannon, Chris Buck (Surf’s Up), Jonathan Dayton, Valerie Faris (Little Miss Sunshine), Atom Egoyan (The Sweet Hereafter), Catherine Hardwicke (Nativity), Scott Hicks (Hearts in Atlantis), Neil LaBute (Lakeview Terrace), Ang Lee (The Ice Storm), Gillies MacKinnon (Regeneration), James Mangold (Girl Interrupted), Deepa Mehta (Water), Bennett Miller (Capote), Mira Nair (Monsoon Wedding), Billy Ray (Breach), Todd Robinson (Lonely Hearts), Joel Schumacher (8MM), Charles Martin Smith (Stone of Destiny), Istvan Szabo (Being Julia) and Denzel Washington (Antwone Fisher).

Recent work includes 500 Days of Summer (Marc Webb), The Imaginarium of Dr Parnassus (Terry Gilliam) and The Time Traveler’s Wife (Robert Schwentke).

He studied music composition at the University of Toronto, winning the Glenn Gould Composition Scholarship in 1985.

The composer has this to say of his music from Mira Nair’s Monsoon Wedding:

Baraat is the hindi word for the wedding procession of the bridegroom to the bride’s village, with the groom on horseback, surrounded by his family and friends and musicians, singing and dancing with the joy of the occasion. Traditionally, the music that would accompany this noisy journey would be the exciting rhythm of the dhol drums. But since the time of the British military brass bands, the more affluent weddings use this strange yet typically Indian absorption of marching band instruments into Indian popular songs… musical proof that outside influences will come and go, but there will always be an India. This piece was written by me in that style for Mira Nair’s film Monsoon Wedding.

I arranged this piece for band with the composer’s blessing for a 2005 Columbia Wind Ensemble concert.  This will be its second run of performances.

Mychael Danna on wikipedia, IMDB, and Amazon.

Monsoon Wedding on IMDB, wikipedia, rottentomatoes, and its own official site.

Now, from YouTube, the opening credits of the movie and a bit of the first scene.  The credits feature the theme song – enjoy!

Finally, here is my band arrangement of it, performed by Columbia Summer Winds in 2011 at Bryant Park with me conducting.  That white noise in the beginning is the fountain right behind us.

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Clifton Williams (1923-1976) was born in Arkansas and attended high school in Little Rock, where he became an accomplished french horn player. He studied composition at Lousiana State University and the Eastman School of Music. He taught composition for 17 years at the University of Texas at Austin before becoming chair of the composition and theory department at the University of Miami in 1966.  He held this post until his untimely death.  His first compositions were written for orchestra.  His career as a wind band composer took off in 1956 when Fanfare and Allegro, his first composition for band, won the inaugural Ostwald Award given by the American Bandmasters’ Association.  His Symphonic Suite won him the award again the following year.  He went on to write over 3 dozen works for band, many of which are considered essential repertoire.

Williams wrote the 5-movement Symphonic Suite in 1957.  It is dedicated to L. Bruce Jones, who was the band director at Louisiana State University at the time.  The piece uses one primary theme which is treated in a different style in each movement.  For an in-depth harmonic, formal, and thematic analysis of the piece, you can look at a paper I wrote on the subject: Symphonic Suite (don’t forget to check out the musical examples! symphonic suite examples).

Now here it is in performance by some anonymous, professional-sounding band:

Clifton Williams and Symphonic Suite at windband.org.

Clifton Williams bio at Wikipedia.

Clifton Williams on the Ostwald Award site.

Clifton Williams at the Wind Repertory Project.